Organ-meets electronics: choral music from Tallis to Claudia Molitor; jazz-rock; improvised-sax-meets-electronics; day three of Sounds New 2014.
Images:© Sounds New / Peter Cook
For all you fans of improvisation-meets-electronics who have zealously scribed the Evan Parker 70th Birthday gig into your diaries on Sunday 4 May, please note that the venue has now changed: the performance will now be in the wonderfully light, airy and sonorous acoustics of St Peter’s Methodist Church, just off the High Street in Canterbury.
More about the event online here.See you there…
Delightmemt and excitement coursing through the corridors of Sounds New HQ at this feature in the local press on Thursday.
Find out about all the events at Sounds New next month online here.
Amidst the whirwind preparations for Sounds New 2014, I caught up with Guest Artistic Director of this year’s festival, Matt Wright, to find out more about what’s coming to Canterbury in May.
What’s in store from SN this year ?
MW: This year, Sounds New is featuring the very best names associated with contemporary European and Indian classical traditions, cutting edge jazz and African groove, improvised and experimental music, poetry, dance, interactive installations, sonic art and laptop sets in gallery spaces, on the high street and on the web!
Phew: I’m exhausted just thinking about it all! ‘Connections’ seem to be an important facet of the programme this year; tell us about them.
MW: We’re exploring connections between performers working in different traditions as a big part of Sounds New. We’re bringing a large-scale multimedia event, within which contemporary ensemble Icebreaker will perform Apollo: For All Mankind with music by Brian Eno, Daniel Lanois and Roger Eno and film footage from NASA. We’ll be celebrating the music of Canterbury Scene legend Robert Wyatt, in both a new exhibition at the Sidney Cooper Gallery (featuring a new work by sound artist Janek Schaefer) and a unique recomposition of Wyatt’s ‘Cuckooland’ album, bringing together the Brodsky Quartet, radical vocalist Elaine Mitchener, arranger Tony Hymas and my own live laptop sampling. Contemporary jazz also features too, in the work of Robert Stillman and Mercury Music prize-nominees Led Bib.
Connecting with local composers is also a feature this year.
MW: That’s right; we’re so lucky that so many musicians linked with Kent also have international reputations, so the brilliant vocal group Exaudi will be exploring the innovative work of composers such as Claudia Molitor, and Lauren Redhead and Thomas Oehler also present their own works. I mentioned Robert Stillman earlier: he will fuse together influences of Americana, the avant-garde and jazz in a fantastic record launch event. Saxophonist John Harle, well known to Kent audiences, will also perform high-quality new repertoire composed for him by CCCU students.
And are there some new connections being explored this year ?
MW: Yes; we make new connections with the Free Range experimental concert series (including ‘Eating Sound’, which focuses on the connections between music and high-end local cuisine) and two unique Equator Festival events: Congolese band Kasai Masai (5th May) and North-Indian sarod virtuoso Wajahat Kahn (9th May). There are also events focussing on innovative connections between dance, film and light.
And birthdays are being celebrated too, I notice ?!
MW: Indeed! We continue our strong association with the London Sinfonietta in a unique five-day residency, supported by Canterbury Christ Church University, culminating on 5th May with a performance of Louis Andriessen’s Workers Union to celebrate his 75th birthday. …and we’re celebrating another internationally-renowned, Kent-based musician with a rare solo concert from Evan Parker to celebrate his 70th birthday.
And we’re continuing to develop our relationship with poetry ?
MW: Yes; the brilliant Sounds New Poetry will return, featuring site-specific readings (3rd-5th May) and writers-in-residence at the Beaney House of Art and Knowledge (6th-9th May).
There’s a synergy between audiences for new music and new poetry, isn’t there ?
MW: Yes, ‘Sounds’ and ‘New’ are terms that shouldn’t just be reserved for music, I feel, and the live performance of poetry is very strong in Canterbury: it is something that Free Range and the ZONE poets at the University of Kent have really helped to bring closer to ‘music’ audiences. I’m looking forward to further connections between music, sound and the spoken word right across the festival.
Inspiring musicians and audiences of tomorrow continues to be important, reflected in the educational aspect of Sounds New; what’s happening this year ?
MW: Building performers and listeners of the future is very important for us; all of our programming has education at its heart. This year our programme of events for young people culminate in the ‘All for One’ event at St Peter’s Methodist Church; there’s also the ‘Curious Curator’ exhibition and ‘the Black Box’ project (which grows out of our innovative ‘Big Brand New’ ensemble).
So, to sum it up: a vibrant, eclectic and innovative festival this year with plenty to look forward to ?
MW: in short, the festival is as packed as ever and we hope to see you there! Early bird tickets will be available soon from: www.soundsnew.org.uk so make sure you’re keeping an eye out…